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Back in Mexico, Paz founded and edited several important literary reviews, including Taller (1939; "Workshop") and El hijo prodigo (1943; "The Prodigal Son"). He edited another review of literature and politics, Plural, in the 1970s. His major poetic publications included No pasaran! (1937; "They Shall Not Pass!"), Libertad bajo palabra (1949; "Freedom Under Parole"), {?}Aguila o sol? (1951; Eagle or Sun?), and Piedra de sol (1957; The Sun Stone). In the same period, he produced prose volumes of essays and literary criticism, including El laberinto de la soledad (1950; The Labyrinth of Solitude), an influential essay in which he analyzes the character, history, and culture of Mexico; and El arco y la lira (1956; The Bow and the Lyre) and Las peras del olmo (1957; "The Pears of the Elm"), which are studies of contemporary Spanish-American poetry. Paz entered Mexico's diplomatic corps in 1946 and served in a variety of assignments, including one as Mexico's ambassador to India from 1962 to 1968; in the latter year he resigned in protest over Mexico's brutal treatment of student radicals that year. His poetry after 1962 includes Blanco (1967), Ladera este (1971; "East Slope"), and Hijos del aire (1981; Airborn). The Collected Poems of Octavio Paz, 1957-1987 was published in 1987. His later prose works, some originally in English, include Conjunciones y disyunciones (1970; Conjunctions and Disjunctions), El mono gramatico (1974; The Monkey Grammarian), and One Earth, Four or Five Worlds (1985). Paz was influenced in turn by Marxism, Surrealism, existentialism, Buddhism, and Hinduism. In the poetry of his maturity, he used a rich flow of surrealistic imagery in dealing with metaphysical questions. His most prominent theme was man's ability to overcome his existential solitude through erotic love and artistic creativity.
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